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UID:whats-on/events/saturday-university-paper-reliquaries-may-10@sam.org
DTSTAMP:20260509T163304Z
DTSTART:20250510T170000Z
DTEND:20250510T183000Z
SUMMARY:Saturday University: Paper Reliquaries
DESCRIPTION:Welcome to Saturday University\, a monthly lecture series featuring experts
  from around the world. Gain new insights on Asia throughout time as our vi
 siting scholars\, authors\, artists\, and thought leaders delve into new th
 emes each season.\nPaper Reliquaries: Calligraphy and Mourning in Japanese 
 Buddhist Death Rituals\nHalle O’Neal\nWhile a fading practice today\, handw
 ritten letters in medieval Japan were the primary form of communication bet
 ween long-separated lovers\, parents unlikely to reunite with their childre
 n\, and distant friends\, artists\, and poets. In this rich epistolary cult
 ure\, letters – reused\, recycled\, and reframed – figured prominently in B
 uddhist memorial rituals. With the death of a loved one\, family members ga
 thered the dead’s letters and transcribed sacred scripture on their surface
 \, transforming the original missive into a letter sutra (shosokukyo). Ador
 ning these scrolls with gold\, silver\, and indigo dyes\, women were the fi
 rst to make memorial palimpsests. Indeed\, they invented a wider cultural p
 ractice in which mourners tempered grief by transforming the everyday trace
 s of loved ones into potent objects. This talk explores the creative method
 s deployed by women in coping with death and loss\, the ephemerality and af
 terlives of letters\, paper fragmentation via reuse and recycling\, and the
  haptic engagement with layered manuscripts.\nHalle O’Neal is a Reader in J
 apanese Buddhist art in the History of Art department and Co-Director of Ed
 inburgh Buddhist Studies at the University of Edinburgh. She serves as chai
 r of The Art Bulletin and sits on the editorial board of Art in Translation
 . She is the author of Word Embodied: The Jeweled Pagoda Mandalas in Japane
 se Buddhist Art (Harvard Asia Center Press 2018)\, editor of Reuse and Recy
 cling in Japanese Visual and Material Cultures (Ars Orientalis 2023)\, and 
 recent recipient of a Leverhulme Trust Research Fellowship and an ACLS Ho F
 amily Foundation Fellowship in Buddhist Studies\, during which time she res
 earched her current monograph project\, “Dead Letters: Reuse\, Recycling\, 
 and Mourning in Japanese Buddhist Manuscripts.” \nTickets\n$15\n$10 SAM mem
 bers &amp\; students with ID\nTickets include gallery access
LOCATION:Seattle Asian Art Museum\, 1400 E Prospect St\, Seattle\, WA 98112
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