Apr 10 – Nov 29 2009
Seattle Asian Art Museum
Conceived to preserve and replicate inscribed characters and images–often on ancient stone slabs–rubbings have been collectible items for more than a thousand years. This installation features two groups of rubbings carved some 1,600 years apart and representing two vastly different worldviews: the Confucian order and the Buddhist law. The rubbings in the first group were "pulled" from the carved walls of the Wu Family Shrines, built in AD 151 in Shandong province. The other group comes from stone slabs depicting the Sixteen Luohans (enlightened beings that the Buddha exempted from the cycle of rebirth), created for a temple in Hangzhou in 1764. Within these two groups of images, exemplars of model behavior vary from assassins to chaste widows to monks. Sometimes, art and truth are simply black and white.
–Josh Yiu, Foster Foundation AssociateCurator of Chinese Art
Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.
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