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Beyond Mysticism: The Modern Northwest

Mar 5–Aug 2 2026

Seattle Art Museum

Drift No. 2, 1936, Malcolm M. Roberts, American, 1913-1990, tempera on board, 25 1/2 x 20 5/8 in., Seattle Art Museum, Eugene Fuller Memorial Collection, 37.103, © Malcolm M. Roberts, photo: Scott Leen.

In the early 20th century, the Puget Sound was home to a highly progressive artistic and cultural scene, shaped by the region’s rapid urbanization, its singular natural environment, and its orientation to the Pacific Rim. This generative milieu was fertile ground for four well-known artists—Guy Anderson, Kenneth Callahan, Morris Graves, and Mark Tobey—whose shared admiration for the Pacific Northwest landscape and perceived alignment with Asian and Northwest Coast Native cultures won them the title of “Mystics” of a Northwest school of modernism. But these artists are only part of the fascinating history of modern art in the Pacific Northwest. This exhibition retells the story of Northwest Modernism to reveal its range, complexity, and significance within the context of American Modernism.

Indeed, at once dynamic and transnational, Northwest Modernism was resonant with artistic developments nationally, yet collectively attuned to the distinct and palpable character of home. Featuring over 150 works by artists ranging from Graves, Callahan, Anderson, and Tobey to Marsden Hartley, Georgia O’Keeffe, Salvador Dalí, and Yves Tanguy, the exhibition uncovers the variety of styles, subjects, ideas, and exploits of this exciting moment in American art history.

The exhibition is accompanied by a fully illustrated catalogue authored by Theresa Papanikolas, SAM’s Ann M. Barwick Curator of American Art.

Beyond Mysticism: The Modern Northwest was organized by the Seattle Art Museum.

Presenting Sponsor

4 Culture

Major Sponsors
National Endowment for the Arts
Wyeth Foundation for American Art

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