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Ai, Rebel: The Art and Activism of Ai Weiwei

Mar 12–Sep 7 2025

Seattle Art Museum

Courtesy of Ai Weiwei Studio. Photo: Gao Yuan

“Everything is art. Everything is politics.” Globally renowned artist Ai Weiwei (Chinese, b. 1957) is celebrated as a disruptor of artistic canons and a champion of free expression. In his work—ranging across performance, photography, sculpture, video, and installation—he deploys humor and provocation, calling upon his viewers to examine history, society, and culture. Organized by SAM, Ai, Rebel: The Art and Activism of Ai Weiwei highlights the artistic strategies of his 40-year career for questioning forms of power. It marks the artist’s first US retrospective in over a decade and his largest-ever US exhibition.

Ai, Rebel explores over 130 works created over four decades, from the 1980s to the 2020s, offering visitors a rare opportunity to engage with the conceptual artist’s wide-ranging body of work. Iconic works from his career are on view, including Dropping a Han Dynasty Urn (1995), Study of Perspective (1995–2011), Sunflower Seeds (2010), Neolithic Vase with Coca Cola Logo (Gold) (2015), and Illumination (2019). The exhibition also features several works making their international debut.

For the first time in its 90-year history, SAM is presenting the work of one artist at all three of its locations at the same time. In addition to the major retrospective at the downtown location, the Seattle Asian Art Museum presents Ai Weiwei: Water Lilies (March 19, 2025–March 15, 2026), a reinterpretation in LEGOs of one of Claude Monet’s famed water lilies paintings. The Olympic Sculpture Park presents Ai Weiwei: Circle of Animals/Zodiac Heads (Bronze) (May 17, 2025–May 17, 2027), a circle of 12 monumental bronze sculptures. This offers a unique opportunity to engage deeply with Ai Weiwei’s work in different contexts across the city.



Ai Weiwei creates art that may be considered provocative or sensitive in nature. Some works address themes of social, political, and human rights issues or include explicit language or other elements that could be upsetting for certain audiences.

Ai, Rebel: The Art and Activism of Ai Weiwei is organized by the Seattle Art Museum.

Presenting Sponsors

4 Culture ArtsFund SAMS logo

Jeffrey* and Susan Brotman
Jon and Mary Shirley Foundation
Walker Family Fund

Lead Sponsors
Douglas Carmean and Margaret Morris
The Rieschel Family
Charles and Barbara Wright

Major Sponsors
Anonymous
Anonymous Foundation (2)
Margaret Allison
David and Joanna Beitel
Spencer Frazer and Mary Snapp
Michael and Barbara Malone
Scott and Abbie Morris
Jennifer and Christopher Roberts
Roberta Sherman
Bob and Katie Strong
Lynn and Mikal Thomsen
Contributors to the SAM Fund

Supporting Sponsor
Anonymous

Hotel Sponsor
Four Seasons Hotel Seattle

Ai Weiwei is everywhere

Ai Weiwei: Water Lilies

Immerse yourself in Ai Weiwei’s reinterpretation in LEGOs of Claude Monet’s beloved series of paintings.

Ai Weiwei: Circle of Animals/Zodiac Heads 

Walk among a circle of 12 monumental bronze sculptures of the traditional Chinese zodiac cycle.

Breaking down iconic works

A black-and-white triptych shows a man wearing a sweater and jeans, dropping a Han Dynasty vase. In the first panel, he holds the vase, in the second, it falls, and in the third, it shatters on the ground. A brick wall is in the background.

Dropping a Han Dynasty Urn, 1995, Ai Weiwei, Chinese, b. 1957, black-and-white photographs (triptych), each: 58 x 48 in., Courtesy of Ai Weiwei Studio, © Ai Weiwei

“I think by shattering it we can create a new form, a new way to look at what is valuable—how we decide what is valuable.” –Ai Weiwei

This photographic triptych is arguably his most famous work, becoming widely known after it was published in the underground art publication, White Cover Book, in 1995, two years after the artist’s return to China from New York.

In 1995 Ai had been in Beijing for over two years, where he started collecting Chinese antiquities, which spurred his questions about artistic and cultural value.

The urn is from the Han Dynasty (202 BCE to 220 CE), a pivotal period in Chinese history considered a golden era of culture and trade.

Ai is inspired by Marcel Duchamp’s concept of “readymades”—found objects of everyday use elevated to the status of art—and their implied critique of cultural value systems. He considers the 2,000-year-old vase in the photos a “cultural readymade.” By allowing it to smash to the floor at his feet, he questions who owns culture and who gets to decide which objects have value.

The photos were originally shot just to test the burst mode function on a new Nikon camera.

A person stands shirtless in a public square with an open jacket, revealing a sunburned word on their chest, 'FUCK'. In the background, is Tiananmen Square and several people walking and cycling.

Ai Weiwei with the word "FUCK" sunburned onto his chest, Tiananmen Square, Beijing, 2000, part of the Beijing Photographs series, 1993-2003, Ai Weiwei, Chinese, b. 1957, black and white photograph, Courtesy of Ai Weiwei Studio, © Ai Weiwei

To achieve the sunburn, Ai wore a white shirt with the four letters cut out from the chest and lay down in the sun at his studio in Caochangdi, Beijing. He covered his face with a book titled Marxism & Art.

Ai Weiwei is always playing with puns and the profane. His company is named FAKE Design Studio: both an assertion of inauthenticity as well as a play on the two syllables—“fa-ke.” When pronounced in Mandarin as “fah-ker,” it sounds a lot like a certain word.

This work recalls his famed Study of Perspective series (1995–2017) in which you see the artist’s left middle finger raised in front of significant landmarks and institutions around the world. The first was taken in Tiananmen Square in 1995, where thousands of unarmed protestors were killed during the 1989 democracy movement protests.

In this photo, Ai stands bare-chested and defiant in front of Tiananmen Gate, a structure widely seen as a symbol of the nation in China, an emblem of the powers that had so greatly affected the fortunes of Ai’s father and their family.

Ai returned to Beijing in 1993 to care for his ailing father. His decade there would be formative for him; this photograph declares the kind of artist he had become: bold, defiant, iconoclastic.

Middle Finger (Edition 1 of 4), 2000, Ai Weiwei, Chinese, b. 1957, gilt bronze, 14 x 27.5 x 9 in., Image courtesy of The Albertina Museum, Vienna / Lisa Rastl and Reiner Riedler and Ai Weiwei Studio, Ai Weiwei

The middle finger motif appears in many works by Ai Weiwei, beginning with his famed Study of Perspective series (1995–2011).

It has become a kind of playful shorthand (ha) for Ai’s activism and rebellious spirit.

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Seattle Art Museum

1300 First Avenue, Seattle, WA 98101

See it first. See it free.

The best way to enjoy Ai, Rebel is as a SAM Member! Members enjoy early access during Member Preview Weekend and exclusive Member Mondays when the museum is closed to the public.

Explore the Smartphone Tour for Ai, Rebel

Listen to an exclusive audio guide created in collaboration with Ai Weiwei himself.

coming soon!

Ai, Rebel FAQ

You’ve got questions, we’ve got answers. Find out all about visiting this popular exhibition by reading our frequently asked questions.

Yes! Reserve your tickets in advance for guaranteed entry.
Timed tickets are required for Ai, Rebel: The Art and Activism of Ai Weiwei due to the popularity of the artist and the nature of the exhibition. We expect some days and time slots to sell out. Tickets are non-transferable and non-refundable.

A limited amount of tickets may be available onsite, but buy in advance to guarantee entry.

No. If timed tickets are sold out for your preferred day and time, we ask that you select another day and time. For visitors planning ahead, tickets for the remainder of the exhibitions will be available to purchase on the first Thursday of March, May, and July for the subsequent months.

Secure your complimentary tickets in advance online to ensure you can visit on your preferred date and time. Print your tickets at home or show your phone to bypass the Ticketing Desk and head straight into the galleries.

In the news

Ai Weiwei to Get His First US Retrospective in a Decade at Seattle Art Museum

—Art News

Must-see Seattle art exhibits, events and more for 2025

—Seattle Times

Ai Weiwei @ Three SAM Locations

—The Ticket


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